The in-game list of who talks colours each name as the names above players' heads are (hud_player_name_color, now shared): allies in the HUD's blue, enemies red, this machine's own players white; in co-op every other player is an ally.
A player talking in voice chat has the speaker just left of their name above their head, centred on its capitals, at the name's scale and fade; only where the name itself is shown (display.player_names, and the gametype's motion tracker rules).
A player who leaves during a vote against them is kept out for network.votekick_ban_minutes, as if the vote passed, and while a vote runs against them the host refuses them joining again, so no one dodges a vote by leaving.
Voice chat's speaker and muted speaker are Lucide's volume-2 and volume-x (1.53.0, ISC: port/assets/icons/lucide, credited in AUTHORS.md, its licence shipped beside the game), drawn white into the menus' bitmap voice/speaker by tools/ce_menus.py and tinted, in place of the speaker made of rectangles. In the lobby, on the scoreboard and in the list of who talks, the icon is centred on the middle of the text's capitals (draw_unicode_string_capital_middle).
Co-op's Server Setup has CO-OP OPTIONS (friendly fire, the extra enemies, player collisions) and VOICE AND VOTING (voice chat and vote kick, as multiplayer's Teamplay Options has them) in screens of their own, as the gametype's options are, each choice with its help; their spinners set config.toml's settings on OK, and the co-op game starts from them.
Opus voice chat (port/third_party/opus 1.5.2, port/linux/src/voice_audio.c, port/linux/game/network_voice.c), relayed by the host, in the lobby too. The host decides in Server Setup > Teamplay Options: lobby voice (on by default), the game's mode (off, team near, anyone near, team, team and enemies near: the default), the near distance, and the quality, 8 to 64 kbps (24). Each player picks push to talk (V), open mic or off, the voices' volume, and the output and input devices in Settings > Audio, and mutes others from the scoreboard's menu. A speaker icon marks who talks in the lobby, on the scoreboard and in a list in game. The host takes a machine's frames only with the key it gave it over its stream, within the quality's size, 50 a second and 8 talkers at once, and sends voices only to machines that asked for them, so the network version stays.
Any player of a network game can start a vote to kick another, on any team, by picking their name on the scoreboard (right-click while it is open frees the mouse) or with the console's votekick; the host's own scoreboard also has Kick and Ban (Ban picked twice). The host alone counts (port/linux/game/network_votekick.c): votes only from each voter's stream, one per real address and again per hardware id (which only removes votes), time played on the host before starting (network.votekick_minutes) and voting, more than half of everyone with the target counted and at least two, one vote at a time with cooldowns for a failed vote's starter and target, and a passed vote keeps the player out for network.votekick_ban_minutes. Builds without it drop the new messages, so the network version stays.
unicode_string_list_get_string terminates a string at its last
character, size / 2 - 1, so a string whose data is one byte long had its
terminator written two bytes before its data. Strings shorter than one
character are now not used.
The scenario's tag name was copied with strcpy into the game state
header's 256-byte map_name, a tag's name was formatted with sprintf into
the out of objects message's 512 bytes, and csprintf bounded its output
at MAXIMUM_STRING_SIZE even when it formats into temporary, which is 256
bytes and where most callers put tag names. All three are bounded by
their buffers' sizes now.
The validator let a tag's or a reference's name be any length, but the
game copies and formats tag names into buffers of 256 bytes (the game
state header's map name, objects.c's messages). A name that does not end
within 256 bytes is now given the empty name, as one outside the tags is.
stream_upload and index_upload rounded the size up to 16 bytes and read
that many from the caller's data, so a draw whose vertices or indices
were not a multiple of 16 bytes read past their allocation (a quad
list's indices on every frame with transparent geometry). Only the
data's own bytes are uploaded now; the room it takes stays rounded.
lookup1_values divided by a code book's dimensions, which a stream may
give as 0, and cast powers past an int's range to int; both are undefined.
A code book of no dimensions or entries now has no values (the stream is
refused), and the powers are compared without the cast.
wide_format copied a conversion's flags and width digits into a fixed
buffer as it read them, with no bound, and a large width padded for a
long time. Formats include map text (ui strings, HUD messages), so the
specification is now built from the parsed values, width and precision
are capped at 4096, and a count conversion's argument is passed over
rather than written.
A widget's event handlers name their function by its index in the table,
which nothing checked, so a game map's widget could run the main menu's
profile functions (deleting and saving player and playlist profiles, the
demos) and the port's own menu functions (writing config.toml, quitting,
connecting), on its created event too. The shipped maps' widgets run none
of these. Now only the port's own menu tags run the port's functions, and
only the main menu runs its profile functions; a refusal is logged once.
saved_game_file_remember_last_used_multiplayer_map wrote 256 bytes from
the caller's name, which the menus' map list keeps in 64, so whatever
followed it in memory went into lastmpmp.txt. The name is now copied into
a zeroed buffer of the written size first.
#191's inverse-distance gain replaces the linear fade for a positioned stereo sound rather than adding to it, so it is as loud as a mono sound at the same distance (both curves together left it some 7 dB quieter at 40 units and 15 at 60), and it is the fade the reverb send takes back out, so the reverb follows the 3D room rolloff as a mono sound's does. A 3D sound is not cut off at the tag's maximum distance either: none starts past it.
A stereo channel's positioned sound is now given what a 3D channel's is: the same occlusion, obstruction and underwater listener (as the 3D call passes them) and its class's wet gain make its I3DL2 source, so the mixer muffles its direct path and sends it to the reverb as it does a 3D voice. The room send rolls off with distance as a 3D voice's does, the game's own fade of the stereo voice's volume taken back out of it. Unpositioned stereo stays unpanned and dry.
A sound with a position plays on a 3D channel, but those are mono: a stereo one (a Custom Edition map's gunfire, a bullet's impact) fell back to a stereo channel, which the Xbox never panned, so it was only faded with distance and came from nowhere. update_channels now gives a stereo channel's sound in the world a pan towards it, as the mixer pans a 3D voice; the mixer pans the channels' middle and keeps their difference as wide as the far ear's gain. Unpositioned stereo plays as before, and no channel pools change.
Our version of #147. With audio.loose_sounds (off by default), each of a map's sounds that has a Halo PC sound tag file of its name in the data root's tags folder plays from it (port/linux/game/loose_sounds.c); loose_sounds_reload and loose_sounds at the console read them again or give the map's back. The files' samples are made the Xbox ADPCM this build plays through the Custom Edition converter, so no channel pools change and stock maps play as before. The override is written into the map's definition in place, keeping the counters the game updates; a change stops every sound and flushes the sound cache first, and old samples are freed once no cache block holds them. A split sound's length is its chain's.
The sound cache is HALO_PORT_SOUND_CACHE_SIZE: 16 MB on desktop, the Xbox's 4 MB on Android, with the debug view's buffer sized to match.
#186's comment over the constants goes, and the resampling section says again what the low pass does in figures: a 22 kHz voice 0.5 dB down at 10 kHz, its images 80 dB down but for those of the band's last few hundred hertz, about 20 dB.
#180 gave a weapon without a second magazine the secondary's overlays at
rest (default and always) and states at rest (not disabled). The Xbox
never set those overlays, and an empty magazine's total ammunition state
is disabled, so the stock HUDs' secondary numbers and icons, which never
showed, drew over the campaign HUD's ammunition and grenade panels.
Such a weapon now leaves the secondary overlays unset, as the Xbox did,
and its states read the cleared, empty magazine. #180's fix stays: the
secondary's overlays no longer write over the primary's.
The HUD's text takes '|' and the character after it as one escape (draw_string.c, parse_unicode_string), so a map's message ending in '|' had its drawing read past the terminator. sv_say leaves '|' out of what it shows.
ES 3.1 makes atomic counter writes visible to a buffer copy only after glMemoryBarrier(GL_BUFFER_UPDATE_BARRIER_BIT); Zink and Turnip, where #122 was measured, add the barrier themselves, other drivers need not. glMemoryBarrier joins the Android GL list (a driver without it is only called with atomic counters, which need ES 3.1).
#152's fallback gets a port: comment and includes cseries/errors.h, as the rest of source/ does, and clamps t with PIN; a pitch not a number still samples the first point.
The trace_marker interposer read a mode whenever any bit of O_TMPFILE was set, which O_DIRECTORY's bit is, so opening a directory read an argument never passed. It tests as glibc's __OPEN_NEEDS_MODE does. The comment no longer says the Steam Deck was measured.
MrBruh